The Greatest

Grief is such a tricky emotion to handle in film. It's an elusive sensation, often manifesting itself in resolute silence, which doesn't always register cleanly for the cameras

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Brooklyn’s Finest

The picture isn't perfect, but Fuqua shows newfound control and maturity as he quests to make his mark on an overworked genre

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The Girl With The Dragon Tattoo

The Girl With The Dragon Tattoo is a mix of genres – a gory murder mystery with a slick European thriller vibe.

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From Paris With Love

I’ll give From Paris with Love this much: the movie moves. Morel has a masterful touch when it comes to pace, and his latest benefits from such refreshing acceleration.

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Kick-Ass

Imagine Quentin Tarantino doing a Marvel comic book movie and you almost get the idea of what to expect with the Jane Goldman-penned Kick-Ass

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The Book of Eli

The picture is satisfactorily atmospheric and often challenging, perhaps even unintentionally chilling in its closing statement of devotion

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The Blind Side

What could've been the next Rudy instead plays like a twist on John Hughes' Curly Sue with Bullock playing the snooty Kelly Lynch character

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The Rebound

Yes it's another predictable romantic comedy, but there are some genuinely funny, rude, and surprising jokes amongst all the usual crap

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Clash of the Titans

Clash 2010 mixes matters up just adequately enough to freshen the experience, but mere splashes of creativity fail to improve on the 1981 feature

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Cop Out

Reveals a refreshing energy from Kevin Smith that I’d love to see him sustain into even better projects.

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